terça-feira, 2 de novembro de 2010

Urban Outfitters - SOHO

via pageone design e comunicação by pageone's on 10/31/10






Visitamos a loja Urban Outfitters do Soho, onde encontramos, na parte de casa, muitos objetos com design interessante e coisas legais. Alguns produtos são parecidos com os da Imaginarium!

Letras e frases são uma forte tendência na decoração de ambientes! Encontramos as letras feitas com latas recicladas e fizemos a composição LOVE! Vale a penas conhecer! http://www.urbanoutfitters.com

SOHO - 628 Broadway - New York, NY - (212) 475 - 0009

El diseño, ¿tiene fundamentos? - Debate

via FOROALFA on 10/31/10

Debate

Si es que existen criterios básicos y comunes para argumentar los diseños, ¿por qué las opiniones y críticas de los diseñadores son siempre tan diversas?

Casi todo diseñador, cuando tiene que explicar su modo de trabajo, habla de una primera etapa de investigación y análisis para pasar luego a una fase creativa, pero fundamentada con argumentos racionales y alejados del «me gusta» y «no me gusta», que permiten dar a sus productos unas garantías de buen rendimiento y eficacia. Este es el discurso más extendido dentro de la profesión, pero caben las dudas. En FOROALFA se han realizado varios debates sobre la calidad de ciertas nuevas marcas respecto de las anteriores (Peugeot, AUDI, Aerolíneas Argentinas) o de algunos símbolos de eventos deportivos (Londres 2012 y Sudáfrica 2010) y los resultados son muy desparejos. Tanto que no se advierten criterios comunes en los miembros de la comunidad de diseñadores. Es natural que no exista unanimidad, pero hubo debates donde los tres criterios posibles (a favor, en contra o un poco de cada uno) se repartieron de manera muy pareja. Caben la pregunta entonces: si el...

Steal this idea

via Design Thinking by Tim Brown on 10/31/10

steal this idea

The first two OpenIDEO challenges have recently been completed and now the trick is spreading the best ideas with the goal to have some be implemented. The results of the the educational tools challenge, sponsored by Grey Matters Capital, have been presented at the Enterprising Schools Symposium in Hyderabad. They have also been collated in a catalog that you can download for free. Any idea in the catalog is free to be used in any way by educational entrepreneurs and innovators worldwide. If you work in education then go check out the ideas to see if you can use any of them.

Similarly the Jamie Oliver challenge results have been published in a downloadable book. This time Jamie plans to work on some of his favorite ideas but again everything is available to inspire others innovators.

My question is, what beyond publishing winning concepts can be done to increase the impact of these challenges?

Sur La Table - SOHO

via pageone design e comunicação by pageone's on 10/31/10









Mesmo que você não saiba cozinhar e nem tenha a intenção de aprender, ao entrar nesta loja, você corre o risco de sair de lá com várias sacolas cheias de coisas! Tudo é muito colorido e lindo! www.surlatable.com

75 Spring St
(between Lafayette St & Cleveland Pl)
New York, NY 10012

Letras na decoração!!!!!

segunda-feira, 1 de novembro de 2010

Maps and Legends

via Information Design Watch by Tim Roy on 10/31/10

No, not a post about the REM song.  But I could not resist a brief mention of Axis Maps who has produced a beautiful mashup of two of our favorite things here at Dynamic Diagrams: maps and typography.  To date, the folks at Axis Maps have produced detailed typographic renderings of two cities: Boston and Chicago, but there are more in the works.

Map drawn using only typography

Detail of the Chicago map

The Boston map

Each map was hand-made, with type carefully overlaid on the existing cartographic structures.  Clearly these were a labor of love and the resulting work shows it.  See more at:

http://www.axismaps.com/typographic.php

(Thanks to Smashingmagazine for the tweet pointer to this great material)

love watermelon!

Eye Hear You

via Brand New by Armin on 10/26/10

TimeWarnerCable Logo, Before and After

With 14.4 million customers, Time Warner Cable (TWC) is the second largest cable provider in the U.S., trailing category leader Comcast. (A funny fact, as I've never met anyone subscribed to Comcast). Originally part of Time Warner — the resulting 1989 merger of Time Inc. and Warner Communications — TWC spun off as its own company in 2009. Earlier this month, TWC introduced a revitalized identity designed by The Brand Union.

Many technology companies talk about what innovation does rather than what the innovation does "for you." Time Warner Cable designs their suite of products with one purpose in mind — to help consumers feel more in control of their experiences and make their lives simpler and easier.

The new brand identity system, starting with the logo, visually brings all these ideas to life. It reflects all the product and customer care innovation happening inside the company. It's a simple, fresh, modern, yet inclusive approach to design. The refreshed eye/ear icon, true to the DNA of our original icon, celebrates the brand's heritage bringing forward its authenticity in a modern way.
— Kim Bates,Vice President, Brand Strategy, Time Warner Cable

Marissa Freeman, SVP Brand Strategy and Marketing Communications, Time Warner Cable explains the new brand.

TimeWarnerCable

The refreshed Time Warner Cable identity places the classic Eye & Ear symbol at the center of their new visual system. The entire TWC brand was reevaluated based on the standards of simplicity and ease in order to better align with their mission. Part of this process included the minimizing of any sub-brand, typeface or rogue visual language that didn't directly leverage or support the Eye & Ear symbol--the one thing that they, and no one else, owns.

The Eye & Ear has been elevated through new applications, brighter colors and a subtle redrawing that makes it substantially more versatile. Great care was taken during the recrafting to honor the essence of the original mark. The lighter strokes allow the symbol to be used much larger and in new contexts. The Eye & Ear has been paired with a custom type family that shares its DNA and is included as a character in every weight. The new type and symbol together allowed for the creation of a modular system of lockups which allow the Eye & Ear to be featured more prominently in the logo suite.
— From The Brand Union

TimeWarnerCable

Click image for bigger view.

TimeWarnerCable

The original Eye & Ear icon was designed by Steff Geissbuhler in 1990 while he was a partner at Chermayeff & Geismar Inc. and it was meant to be used for all of Time Warner but, as a serif wordmark became its logo, the Eye & Ear icon became exclusive to TWC in 1993 and has become quite iconic over the years so it's comforting to see that not only does it remain in place but it becomes the full anchor for the whole identity. Despite the existence of vector-drawing software at the time, Geissbuhler has proudly commented that he hand-drew the icon because he couldn't get the bezier points to do exactly what he wanted. Almost 20 years later, the icon has been redrawn with substantial care to keep the form of the original while making it more versatile and streamlined — one minor quibble I have is the way the final stroke of the ear doesn't curl completely but it sticks out pointing southeast a little too prominently.

TimeWarnerCable

Icon/wordmark configurations.

The biggest change is the relationship between the icon and the wordmark, making the Eye & Ear substantially bigger and breaking the long name into three lines. I'm actually surprised they didn't resolve the name into an acronym, and it's probably because few people refer, spoken, to Time Warner Cable as TWC. The wordmark is set in a proprietary font called TWC Round, based on Stag Sans Round by Christian Schwartz. It's a playful humanist sans that also looks more bookish, helping it avoid looking overly trendy.

TimeWarnerCable

TimeWarnerCable

Detail of e-mail address in business card.

TimeWarnerCable

TimeWarnerCable

TimeWarnerCable

Rendering of install kit.

The elements of the identity are very well resolved and the full implementation is lively and well considered. For a redesign of this size and with such a previous stodgy identity in place, this effort is quite successful in reenergizing the look of TWC without unnecessarily redoing everything.

TimeWarnerCable

TimeWarnerCable

TimeWarnerCable

Ed.'s tip: The way to a CEO's heart? Show them what a lapel pin looks like. Top-level buy-in assured.

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